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HARUOMI HOSONO (from Yellow Magic Orchestra) posted by David. Country: Japan. HOSONO HOUSE (1. Tracklist: 0. 1 Rock- a- bye My Baby. Boku wa chotto (I'm Afraid I Won't)0. Choo- choo gatagoto (Choo- choo Shaking)0. Owari no kisetsu (Season of Farewell)0. Fuyu- goe (. Hosono's first solo album is probably only of historic interest to electronic fans.
Produced by Hosono & Tin Pan Alley. Simon Fischer Basics Ebook Readers. The song Honeymoon from Medicine Compilation appears in it's original version on this album. Non Electronic. If you've been tracking down HH work then you've probably been looking towards his electronic outings, much the same as me. The trouble is if you work your way back from Y. M. O then there's a big chunk of his catalogue missing > 'COOCHIN MOON'!!
So you end up jumping from kind of full on electro to electronic exotica material (PARASIO). It seems a bit shallow but as I knew this album was non electronic I was in two minds whether to buy it. Then I thought well I like exotica material, I like Hosono's material.. I ended up with a funny, entertaining, quaint Tropical Dandy. Way ahead of its time with trance- like synths and exotic world colors.
The album is co- credited to famous pop (graphic) artist Tadanori Yokoo, who did the cover, but seemingly neither wrote nor played on it. I was able to get Yokoo- san to autograph my LP cover during a 1. NYC speaking engagement. He laughed with slight embarrassment that anyone in the US would have a copy (and on vinyl). Ryuichi Sakamoto plays synths also and his playing style is evident. Hideki Matsutake, who would later do the sequencer work for YMO and front the synth- based band, Logic System, programs the sequencer here.
A brilliant album. This is the first album that sounds like the Hosono we are used to. The band name was a rather obscure takeoff on a Captain Beefheart song title as rumor has it. This is often considered the definitive pre- YMO album though Takahashi's contemporarily recorded suave French- Pop album . The style here is Exotica and more like a tropical band album than a synth album so musically this isn't much connected with YMO's style apart from YMO carrying over many exotica refrencesw on the debut, so Parasio is relatively distant from YMO (Cochin Moon is actually closer to YMO due to heavy synth use). There is synth though.
Interestingly, Sakamoto did his own album of roughly this kind of sound though more pop / disco on his album Summer Nerves. His last solo album pre- YMO, it features his take on . Hosono is a kind of musical alchemist, mixing Okinawan folk melodies with New Orleans funk (. This album features Sakamoto & Takahashi, and that, plus the clever use of synthesizers, makes it a kind of bridge between Hosono's solo music and the technopop to come.
On it's own terms it's a great album, melodic, inventive, and fun. Landmark early use of sampling. An intersting companion to YMO's album from this period Technodelic. Takahashi, Tachibana, Ueno all guest.
YMO because Sakamoto was involved with acting and scoring Merry Christmas Mr. Lawrence and Hosono used the time to produce a lot of work for others and make this album. Song's like LDK would have quite easily sat in the recording.
Within the first few seconds of the first track PICNIC you know what your gonna get. Beautifully odd strange electronics leading straight in to a load of robots singing their song as they go on a day out.
The next song FUNICULI FUNICULA seems to be a national anthem for some kind of army stuck in a video game.. Harry Hosono manages to make the most quirkiest music beautiful he kind of catches you off guard.
One minute it's all tongue in cheek the next he puts up some straight forward(ish) electro it's a mixture of both instrumental and words all be them odd; 'my loves like a tear- jerker, like mouldy junk food' but anyway a good album if you want a bit of fun and can listen to music that doesn't take itself too seriously.. I wouldn't play it to anyone though! This was the first full album of this kind of music, now a whole genre in Japan. Hosono arranges and produces (does not compose).
Be warned- - this sounds like video games, not much like HH. This is not a Hosono solo album per se, but it is produced by him and a different 1. The all but the latest CDs of this release add the tracks from The Making of Non Standard Music. Still available at a budget price. This album is usually considered Hosono solo, not an F.
O. E. Borrowing liberally from old- school hip- hop (especially on the first two tracks), it is only very slightly dated, and still danceable, with . The fourth track, SFX, is absolutely brilliant and requires attentive listening to percieve its every nuance. The last four tracks are also rather experimental, and occasionally ambient. But don't expect easy listening.
Both of the . The last track, . All in all, a tremendous achievement from the god- father of Techno music as we know it today. This is the one with guests James Brown, Maceo Parker and Anton Fier and tons of Kurzewil K2.
Plenty of drums and sequences. Since the real James Brown appears (on Sex Machine), nobody insults him with anything too strange or deconstructed for beter or worse. The name and linear notes are in Esparanto. There was a rumored Esparanto language version, but the version I have is in Japanese.
Simple and elegant piano and synth melodies with a memorable theme a little like Satie. This is a good album to hear Hosono's vastly different styles of compositions, though the content is so varried it makes incoherent listening as a whole without programming your CD player. Recorded 1. 98. 3- 4. For a modern dance ensemble. A video version was once availablet. I got a chuckle when a Village Voice film critic commented on the wonderful, authentic Okinawan score (. In the film, Hosono plays a supporting role as a sensitive, but out of his element Japanese grade school teacher transplanted to Okinawa.
The big in- joke is that one of the teenage girls in the story has a YMO shrine in her room and seems quite infatuated, yet has no apparent interest in her school teacher and his resembalance to a YMO member. This was the first Okinawan language feature film and according to the IMDB co- stars Jun Togawa though when I saw the film quite some time ago I didn't know what she looked like or had a translation of the cast list. A very rich and dream- like score for an animated film. This and the later album Naga, while not identical in style, are not unrelated either.
Out of print? Footlight records and Japanese used shops still have some. H- 1. 48 was the the initial release cat# and came in a cardboard box. I've never seen what else (presumably bookletwise) is contained in the box. I believe it is considered the first novel ever.
The video was available in the U. S. It's a fictional story of a life of a Japanese aristocratic man. The names of tunes are related to the characters of Genji Monogatari. It includes nods to Duke Ellington and Wilhelm Reich. This is the kind of techno pop he does best. Nice ambient with pop touches. With this is one of only 3 Hosono albums to get a U.
S. Hosono gets to be the . Tracks 3- 5 were mixed by Kim Cascone of Heavenly Music Corporation (who pointed out to me when I left his name off this page, no slight intended, good work). Kay (Something Wonderful) Nakayama does additional production on several tracks.
First rate production and material. Cover art by Yokoo. If you want something hyper look elsewhere (NDE). Very relaxing but not boring. A great listen. Writers are in parenthesis.
Early copies had a slipcover for the CD. The album was inspired by Shinichi Nakazawa.
He is a professor at the Faculty of Policy Studies, Chuo University, Tokyo. He majors in the religion. He has written many books, articles, movie pamphlets (like Naked Lunch by David Cronenberg), and so on. He is quite famous in Japan. He has also written the book Kanko with Hosono. He is the only person in Japan who was completely given instruction in Dzogchen, the consummate practice of Tibetan Buddhism.